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Chess Peace — a new iOS game by Sam Shepherd — is my kind of logic puzzle. Each puzzle is a board with a few unplaced chess pieces. To solve you need to place all the pieces so that none of them attack each other. There’s a timer if you care, but I don’t. Clever name too: the pieces need to be ... at peace with each other. You can download Chess Peace and try it out free of charge, and it’s just a one-time payment of $7 to unlock everything. Great simple premise, really well implemented.

Nick Heer:

I was going to write about how this stuff should have been tried with people who actually use Adobe’s apps in a high-pressure environment, but I am sure it was and, also, it does not matter. Wichary has it right. These are fundamental principles of user interface design that Adobe is ignoring because its internal tooling has taken precedence.

I will quibble only with this line from Heer’s post:

Also, Adobe’s interface has always been unique and not quite at home on either MacOS or Windows.

You have to go back to the 1990s and classic Mac OS, but Adobe’s best apps used to have exemplary native UIs. Apps like Photoshop helped push the state of the art in Mac UI forward. Tabbed palettes were a revelation. Fire up, say, Photoshop 3.0 on MacOS 7.6 and see what I mean.

Also worth noting is how much this new “modern” UI isn’t just subjectively ugly, it’s objectively breaking the habits and expectations of users with literally decades of experience with Photoshop — users who, like me, remember when Adobe’s UI wasn’t just merely tolerable but actually good. It’s insane when you think about it.

How did Adobe lose that good sense of yore? Two ways. Gradually, then suddenly.

Paul Thurrott:

I may or may not write and publish a short e-book about Markdown sometime this year, most likely as part of a monthly focus. But l’ve written small parts of it already, as I do, and I figured it might be interesting for at least some readers. And so here’s an early draft of an introductory chapter that may or my not be called “On writing.” We’ll see.

It’s odd how things turn out in life. Thurrott’s and my careers are almost uniquely parallel, but have seldom intersected. This book would have been a very surprising outcome to me, if you’d told me about it 20 years ago. Sort of a fun outcome, though, and I must admit to being curious what comes of it.

The fact that Paul Graham personally has billions of dollars at stake with OpenAI doesn’t mean that his public opinion on Sam Altman’s trustworthiness and leadership is invalid. But it certainly seems like the sort of thing that ought to be disclosed when quoting Graham as an Altman character reference.