Hamilton Nolan, in a 2021 piece for The Columbia Journalism Review, under the headline “Bezos Has Been Hands-Off. What if That Changes?”:

Bezos has given the paper the resources to be bigger and better, and, by most accounts, pretty much stayed out of the newsroom’s hair, besides appearing one day to present a bicycle to former editor Marty Baron. The Amazon boss has never been an overtly political man, except to the extent that he supports whatever helps him stay rich and take over the world with his robotic form of ultra-capitalism. But he is not inclined to spend his time on the phone haranguing Post editors about coverage decisions. When you are worth close to $200 billion, your time is too valuable for that.

There is no guarantee, however, that that will always be true. [...]

Discussing this question with nuance is not easy. The paper will always say that Bezos does not interfere. Bezos himself will always say that he does not interfere. Factions of the public on the right and the left will always hold that Bezos’s ownership inherently corrupts the paper’s coverage.

I do give Bezos credit for taking public ownership of his assertion of control over the paper’s opinion pages now. This is a major change, and he’s not trying to hide it or shy away from responsibility for it.

Loved this remembrance by Manohla Dargis in The New York Times:

When Clint Eastwood needed a performer who could persuasively go boot-toe to boot-toe with him in his brutal 1992 western Unforgiven, he needed an actor who was his towering equal onscreen. Eastwood needed a performer with strange charisma, one who could at once effortlessly draw the audience to his character and repulse it without skipping a beat. This actor didn’t need the audience’s love, and would never ask for it. He instead needed to go deep and dark, playing a villain of such depravity that he inspired the viewer’s own blood lust. Eastwood needed a legend who could send shivers up spines. He needed Gene Hackman.

Just an unbelievable career, in such a wide variety of films. His roles in The Conversation, The French Connection, and Unforgiven are atop most people’s lists, and I do love each of those movies. But he was so good in everything. What a great Lex Luthor he was in 1978’s Superman. Mississippi Burning, The Royal Tenenbaums, Bonnie and Clyde, The Birdcage, Hoosiers. By chance, I just re-watched David Mamet’s Heist a few weeks ago. Like so many of Hackman’s movies, that’s another one that repays multiple viewings across decades.

Jesse Squires: Did you know that Xcode can spell check your code and comments? Based on my experience working on large teams and large Xcode projects, this is a little-known feature. I routinely find spelling errors, not only in code comments but in symbol names. For the latter, this is particularly frustrating when a misspelled […]

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