Craig Grannell: In beta 2, Apple added an option to restore the menu bar background. Which is good. Except it also makes me question Apple’s confidence in its design work. When Apple starts hedging its bets, it signals that it knows something is wrong, but lacks the conviction to course-correct. Or perhaps such settings are […]

Tor Arne Vestbø: As it turns out, permissions are inherited by child processes. And when a process is about to access some protected resource, the TCC subsystem figure’s out which process is the responsible one, and uses that as basis for requesting and persisting the result.[…]In the case of an application embedding and launching helper […]

OSXDaily: If you have discovered your Mac disk space has reduced since installing or updating to MacOS Sequoia, the inordinately large com.apple.mediaanalysisd cache file issue could be to blame. A variety of Mac users have reported the directory being filled with 15GB+ of data, with some users noting 50 GB, 80 GB, even 140GB of […]

Rebecca Rubin, reporting for Variety:

When it comes to Apple’s biggest films, F1: The Movie has officially moved to pole position.

I will allow this pun.

F1 has generated $293 million at the global box office after 10 days of release, overtaking the entire theatrical runs of Martin Scorsese’s Killers of the Flower Moon ($158 million worldwide) and Ridley Scott’s Napoleon ($221 million) to stand as Apple’s highest-grossing movie to date. That’s not a particularly difficult benchmark to break, since Apple has only released five films theatrically and two of them, Fly Me to the Moon ($42 million) and Argylle ($96 million), were outright flops.

Not to mention that Wolfs, last year’s crime caper starring George Clooney and Brad Pitt, was supposed to get a theatrical release but didn’t, leading to bad feelings and, later, a cancelled sequel. Wolfs wasn’t bad. I’d say it was decent. Critics seem to agree. But with Clooney and Pitt starring and Watts at the helm, it felt like a movie that should have at least been pretty damn good. And it wasn’t.

So it’s not just that F1: The Movie is doing well at the box office. It’s seemingly a good movie that delivers what it promises.

Tesla used to be the envy of the auto world, with sky-high valuations, a relentless focus on tech, and a CEO that commanded unprecedented loyalty from his customers. Now the company's reputation is in shambles, its financial future looks increasingly grim, and its costly bets on AI and robotics are unlikely to pay off anytime […]