Yours truly, yesterday:

The problem I see with the MacBook power adapter situation in Europe is that while power users — like the sort of people who read Daring Fireball and Pixel Envy — will have no problem buying exactly the sort of power adapter they want, or simply re-using a good one they already own, normal users have no idea what makes a “good” power adapter. I suspect there are going to be a lot of Europeans who buy a new M5 MacBook Pro and wind up charging it with inexpensive low-watt power adapters meant for things like phones, and wind up with a shitty, slow charging experience.

Actual email, from actual reader D.B. today:

Anecdotes to support your point about normal customers not knowing which power adapter to pick, I’ve had both my mother and a mid-level IT director at my work complain that their Macs no longer hold a battery. In both cases, they were using a 5 watt USB-A charger.

It’s hard for people to understand that not all USB chargers are the same.

And from actual reader D.K.:

My mother in law called me to ask why her MacBook Air no longer turned on. She had called AppleCare and they told her to bring the computer to a store for repairs. Turns out she was using a very old 5 watt USB-A iPhone charger.

And of course, the real danger isn’t using an underpowered charger. It’s thinking you can save a few bucks by buying a cheap high-watt third-party charger and then burning your house down.

Two new(ish) iPhone camera apps that take decidedly different approaches to distinguish themselves from Apple’s built-in Camera app.

Jonathan Hoefler:

The objects in the Apocryphal Inventions series are technical chimeras, intentional misdirections coaxed from the generative AI platform Midjourney. Instead of iterating on the system’s early drafts to create ever more accurate renderings of real-world objects, creator Jonathan Hoefler subverted the system to refine and intensify its most intriguing misunderstandings, pushing the software to create beguiling, aestheticized nonsense. Some images have been retouched to make them more plausible; others have been left intact, appearing exactly as generated by the software. The accompanying descriptions, written by the author, offer fictitious backstories rooted in historical fact, which suggest how each of these inventions might have come to be.

These images represent some of AI’s most intriguing answers to confounding questions — an inversion of the more urgent debate, in which it is humanity that must confront the difficult and existential questions posed by artificial intelligence.

This project is art.

Chance Miller, 9to5Mac:

Not a fan of that design? Well, iOS 26.1 beta 4 is now available, and it introduces a new option to choose a more opaque look for Liquid Glass. The same option is also available on Mac and iPad.

You can find the new option on iPhone and iPad by going to the Settings app and navigating to the Display & Brightness menu. On the Mac, it’s available in the “Appearance” menu in System Settings. Here, you’ll see a new Liquid Glass menu with “Clear” and “Tinted” options. [...]

It’s a binary option, so there’s no toggle or slider of any sort. You have a choice between Liquid Glass as we’ve known it since iOS 26 was released, or a new tinted option that increases opacity and adds more contrast. When enabled, the design applies to Liquid Glass in Apple’s apps and elsewhere on the Mac, iPad, and iPhone. For the iPhone and iPad specifically, it also increases opaqueness in notifications on the Lock Screen.

This new toggle isn’t squirreled away in the Accessibility section of Settings. On iOS, it’s in Settings → Display & Brightness, and on MacOS it’s in System Settings → Appearance. I’m trying it out on iPhone, but for the most part, I really haven’t minded the Clear appearance. Clear feels more fun. But I’m glad Apple added this setting.

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